Check out the works of Sebastien Cuypers, a resident Parisian with a talented hand for awesome typography and poster design.

Definitely worth checking out, more of Cuypers’ type design and illustrations can be found at his Behance page.

via LooksLikeGoodDesign

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'에 대한 소개 사랑 그리고 돈'! 곧 로렌스 킹 출판 (영국)에 의해 발표되고, 그것을 오늘날의 시장에서 창조적인 일러스트의 성장 역할을 설명합니다. 이 책은 각 417 일러스트 레이터와 미니 인터뷰를 포함하여 더 나은 작품은 지난 몇 년 동안 만들어진의 캡처합니다. 내가 그것을 통해 지금 시대의 번호를 살펴 봤는데, 확실히 내 참조 라이브러리에 들어갔구나. 일단 밖으로 당신의 지역 디자인 서점, 또는 직접 로렌스 킹 웹 사이트에서 복사본을 잡아주십시오. 아래는 내가 좋아하는 몇 가지있습니다 즐기세요!

Every year illustration seems to creep into a new facet of our lives, through advertising, fashion, film, magazines, and even election campaigns. As a result, the sheer volume of work being produced and posting online is overwhelming. There are countless websites that follow the latest and greatest, how does one keep track!? Don’t you just wish that someone would take the better stuff and store it somewhere for you? Somewhere permanent, like a coffee table? Maybe in a book?…

Introducing ‘For Love And Money’! Soon to be released by Laurence King Publishing (UK), it outlines the growing role of illustration in today’s creative marketplace. The book captures 417 of the better pieces created over the last couple years, including mini interviews with each illustrator. I’ve gone through it a number of times now and it’s definitely going into my reference library. Be sure to grab a copy from your local design book store, or direct from the Laurence King website once it’s out. Below are a few of my favorites, enjoy!

Ivan Mayorquin

Ricardo Fumanal

James Joyce

Jesse Auersalo

Pablo Bisoglio

Schooled in Manchester, he currently freelances in Sheffield UK. You can check out more of this distinctive style on his site.

The proposition of Jean Jullien for the WIP show is a formal experimentation that started as a reaction against his own current working process.He usually work with papers to create three dimensionnal scenes and characters.
Jean says: “Paper is a very easily manipulated material to cut, paste, fold, tear and do all sort of things with. So I normally decide what to create before making it, the final object being defined by the idea. Wood is the opposite. It’s strong, static, and difficult to transform. In order to challenge my practice I cut out random shapes in a big piece of wood and then ponpered about what to make out of them. I ended up drawing things according to what could fit in the wooden shapes, so that the format would decide of the content, rather than me.”

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